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THEOCHARIS PAPATRECHAS
ARTISTIC DIRECTOR | COMPOSER
www.theocharis-papatrechas.com

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"ilSUONO Contemporary Music Week is a collaborative endeavor that emerged organically in 2015 out of my, then, five-year friendship with Mic­hele Bianchini and the members of the co­ntemporary music col­lective Ensemble Suo­no Giallo.

 

The mission of ilSUONO is to provide young emerging composers and instrumentalists unique oppor­tunities for research, artistic challeng­e, experimentation, and growth. In the ideal environment of Sansepolcro, we created a setti­ng to encour­age and inspire. In this environment, a select pool of you­ng artists, spanni­ng over diverse cultures and aesthetic orient­ations, come together to collaborate cl­osely with highly skilled pr­ofessional instrumen­talists and renowned composers from prestigious academic institutions.­

The founding princ­iples that govern this annual project are de­dication, passion, merit, and the desire to explore the endless pote­ntial of the musical sphere." T.P.

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Originally from Greece, Theocharis Papatrechas is a composer, audio artist, and sound researcher based in Brisbane, Australia.

 

Theocharis holds a Ph.D. in Music Composition from University of California San Diego where he worked with Rand Steiger and Miller Puckette. Other leading institutions he studied at include the Eastman School of Music, IRCAM, and Sibelius Academy.


Praised for crafting "an intimate narrative" and achieving "beautiful instrumental intensity" (il giornale della musica),  Theocharis's creative work draws inspiration from literature, poetry, mythology, philosophy, as well as the soundscapes of underwater and terrestrial environments. He integrates acoustic instruments, objects, data, electronics, and spatial audio to create immersive auditory experiences.  His artistic

portfolio consists of instrumental, electroacoustic, acousmatic, sound art, and sound installation works that involve acoustic components, pre-recorded media, and generative and interactive processes, employing Dante networking systems and ambisonics in multichannel venues.

 

Renowned groups that have commissioned and premiered his works include the ensemble Intercontemporain, Nouvel Ensemble Moderne, Mivos Quartet, Vertixe Sonora, Ensemble Schallfeld, East Coast Contemporary Ensemble (ECCE), Divertimento Ensemble, Ensemble Multilatérale. Notable venues, at which works of his have been presented, include IRCAM, CCRMA at Stanford, SEAMUS at Berklee College, the Anchorage Museum, SPLICE Institute, New York City Electroacoustic Music Festival (NYCEMF), Vienna Konzerthaus, SpazioMusica, University of Montreal, and Shanghai Music Conservatory. 

 

His music has been released by ArsPublica. His scores are published and available by Babel Scores.

 

Additionally, Theocharis has held postdoctoral appointments at the California Institute for Telecommunications and Information Technology, Scripps Institution of Oceanography, and Center for New Music & Audio Technologies (CNMAT) at UC Berkeley. His work integrates environmental data science and acoustics, focusing on the development and implementation of innovative, multi-modal data rendering techniques to sonify ecosystems and extreme environmental events. The research aims to develop a deeper understanding of the impacts of climate change through the lens of acoustics. 

 

For the past decade, Theocharis serves as the Artistic Director of the ilSUONO Contemporary Music Week, a summer new music academy that takes place annually in Italy. The program's core mission is to diversify the practice by bringing together emerging music creators of diverse socio-economic backgrounds, ethnicities, cultures, gender orientations, and aesthetics to learn, share, and collaborate.

 

Theocharis teaches Composition and Music Technology at The University of Queensland. Additionally, he works as Technical Audio Operator at the Queensland Conservatorium Griffith University.

 

Media

Grit (2019)

[Dimitris Paganos Koukakis]

for piano, fixed media, live electronics, and sound diffusion

 

Pictorial Fields: Traces in 1A (2016)

[the Switch~ Ensemble]

for bass clarinet, violin, cello, and live electronics

 

doomed to its paralysed eternity (2015-16)

[ensemble Suono Giallo]

for alto flute, tenor sax, percussion, piano

 

 

l'esprit de l'escalier (2014) - excerpt

[Nouvel Ensemble Moderne]

for chamber orchestra

Trastono (2013)

[East Coast Contemporary Ensemble]

for flute, clarinet, percussion, violin, cello

 

Le Radeau de la Méduse (2012)

[Mivos Quartet]

for string quartet

minute | from within (2019-20)

[Rebecca Lloyd-Jones]

for amplified found objects and electronics


STATO ESOTERICO II (2024)
[Ensemble Suono Giallo]
for baritone sax, percussion, double bass and electronics

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